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Hello. I'm Donn Taylor, here again to talk about poetry writing and ways to achieve the "higher voltage" that distinguishes poetry from most prose. We've talked about putting strong words in emphatic places, use of images, and a little bit about figurative language. On my last blog we began talking about ways to organize a poem. Those ways are infinite, of course, so we'll confine ourselves to some of the most common, and we'll deal only with lyric poetry (poetry that expresses the poet's thoughts or emotions). As before, I compare a short poem to a paragraph: it has a main idea that may be stated or unstated, and everything in the poem points to or develops that one idea.

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Gail Gaymer MartinIt's Friday and I know you're looking forward to the weekend.  Most of us are, but a wirter often writes seven days a week with a few hours squeezed in for family, church, exercise and eating.

But it's always nice to share some thoughts with you about wrting techniques that makes our books the best they can be. Hi from Gail Gaymer Martin www.gailmartin.com

Part I covered some of the elements of staying in a POV character’s viewpoint, but intimate storytelling needs more than a character’s viewpoint. The reader needs to feel the story through the character’s impressions and experience. This is done by bringing the senses to life.

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Mary D_DSC_0082

Hi! I'm Kathy Ide. In addition to being a published author, I'm a full-time professional freelance editor. For CAN, I'm blogging about "PUGS"–Punctuation, Usage, Grammar, and Spelling…tips for writers based on the most common mistakes I see in the manuscripts I edit. Each blog post will have one tip for each of the four categories, as well as a reason it's important for authors to "polish their PUGS." (For more PUGS tips, check out my website, www.KathyIde.com, or get a copy of my book "Polishing the PUGS" (available through the website or at the conferences where I teach). If you're interested in working with a freelance editor (or know someone who is), e-mail me at Kathy@KathyIde.com. Or go to www.ChristianEditor.com to get referrals to other established, professional editorial freelancers. If you're a freelance editor yourself, or think you might be interested in that field, check out www.TheChristianPEN.com.

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DonnBusPhotos-007a2x3

      Hello. I'm Donn Taylor, here again to talk about poetry writing and ways to achieve the "higher voltage" that distinguishes poetry from most prose. We've talked about putting strong words in emphatic places, use of images, and a little bit about figurative language. On my last blog we began talking about ways to organize a poem. Those ways are infinite, of course, so we'll confine ourselves to some of the most common, and we'll deal only with lyric poetry (poetry that expresses the poet's thoughts or emotions). As before, I compare a short poem to a paragraph: it has a main idea that may be stated or unstated, and everything in the poem points to or develops that one idea.

Read More →

Facebooktwittergoogle_pluspinterestlinkedinrssyoutubeFacebooktwittergoogle_pluspinterestlinkedinrssyoutube

Mary D_DSC_0082_square

Hi! I'm Kathy Ide. In addition to being a published author, I'm a full-time professional freelance editor. For CAN, I'm blogging about "PUGS"–Punctuation, Usage, Grammar, and Spelling…tips for writers based on the most common mistakes I see in the manuscripts I edit. Each blog post will have one tip for each of the four categories, as well as a reason it's important for authors to "polish their PUGS." (For more PUGS tips, check out my website, www.KathyIde.com, or get a copy of my book "Polishing the PUGS" (available through the website or at the conferences where I teach). If you're interested in working with a freelance editor (or know someone who is), e-mail me at Kathy@KathyIde.com. Or go to www.ChristianEditor.com to get referrals to other established, professional editorial freelancers. If you're a freelance editor yourself, or think you might be interested in that field, check out www.TheChristianPEN.com.

Read More →

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