Girl Speaking Kathi Lipp here -sharing all the not-so-secret tips to building your platform through speaking. 


This article is taken from my booklet 5 Simple Steps to Kick Start Your Speaking Career.

 The very first thing you need to do as a speaker is get a list of references together. You need to prove you’ve got some street cred. No one wants to hire a speaker that no one else will endorse. Event planners need to know that you have spoken before and that you didn’t pass out while doing it.


These endorsements will be used over and over again—on your website, promotional postcards, speaker packets and on other speaker websites that you will eventually become a part of.


If you are just getting started in speaking, you may be wondering who will endorse you.


Step #1


This is the time to start getting creative.


1. Brainstorm the times you have been in front of a group.


If you are pursuing a career in public speaking, chances are you have done some presentations, somewhere.


Maybe it was teaching a Bible study at church, or a talk you did for coworkers. Have you ever worked with a youth group, or been in a Toastmasters group? Those are all people who have heard you speak and can write an endorsement for you.


2. Offer to speak to a group, free of charge.


Many of my clients have started out by speaking for a group for free, just to get their foot in the door and to get their first endorsements rolling




in. Look for civic groups, mothers or MOPS (Mothers Of Pre-Schoolers) groups. Most of these would welcome the chance for you to speak on a topic that is tailored to their audience.


Let them know that you will be happy to do the presentation for no charge as long as the leader of that group would write you a recommendation (if they felt that you were recommendation-worthy!) It is a win-win—they get a fabulous speaker that they may not otherwise be able to afford, and you get that oh-so-valuable endorsement.



3. Make it easy for the event planner


Experience has shown me that it is very hard for people to write recommendations. It is not that the event planner didn’t love you—quite the opposite. She knows that she is not able to express her feelings well enough to do you justice. Everything she writes sounds dull and flat to her ear.



I strongly encourage you to give her an example of a great endorsement—that way she will know what you are looking for, but can write the endorsement in her own words to best reflect you.


If there are key words that reflect who you are, let her know that those are areas that you would love for her to highlight if she felt comfortable. Again, you are not writing the endorsement for her (everyone can see

through those kind of endorsements…) but giving her a framework to work within that will make the task easier for her and more useable for you.





Kern_web shot Jan here, writing today about the fine brushstrokes of editing nonfiction.

Nonfiction writing can, and should be, accomplished artfully, perhaps especially in the editing stage

Whether we are writers who let our words flow first or we edit as we go, at some point in the process we pause to consider what we’ve written and how it can be refined. At first we may step back and take in the overall effect and organization. Then, with an artist’s eye, we look closely at the minutest of brushstrokes.

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GailGaymerMartin_headshotHello from novelist Gail Gaymer Martin at

In the Outlining for Screenwriting which I attended at the Gideon Film Festval, the second point deals with the topic of creating characters arcs. This is an important element in writing novels as well.

2. Create individual character arcs. What does the character want? What does the character need? The need factor is often the hidden desire of the character. The difference between the want and the need are sometimes in conflict and an effective technique is to create a situation where to gain what the character needs means to give up what he wants. This is an excellent technique to create conflict.

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Hello from novelist Gail Gaymer
Martin at

Recently I attended the Gideon
Film Festival and Media Conference at Ridgecrest and learned many techniques
for writing screenplays. These same points work for fiction as well, and I
believe that many screenwriting techniques can enhance fiction. In the next
five weeks, I will share these points with you.

The first point was: Define
the overall theme or meaning of your work. What will happen and why does it
matter? Why? If your story does not make a difference, if it doesn't matter,
then why write it? How can it serve the reader?

Think first of non-fiction
novels. Can you imagine reading a book that didn’t have a point. A non-fiction
book focuses on a topic or theme, It has a purpose. Fiction is no difference.
Your purpose could be to point out the foibles of the human condition. It could
be to dramatize how a mother’s love can push her to give her life for their
child. A novel can be a story of good verses evil and shows the power of good.
It can show the power of love. It can dramatize that we are not alone, that others
share our fears, worries, or sinfulness.

When a novelist sets down to
write a book, he has an idea. It may begin as people doing things, but if it
doesn’t have direction or purpose, it falls flat. Think of Gone With The Wind
without the backdrop of the Civil War. How long would anyone remember that

As an author of Christian
fiction, my purpose is often focused on a Bible verse that sums up a major idea
in the book. For example, Proverbs 16: 9 reads: In his heart a man plans his
course, but the Lord determines his steps. This book would be about someone who
has made a life plan— a career, a goal, success, fame, an accomplishment—but
things happen, and the character realizes to reach that goal, he may have to
give up something else equally important.

While you might not write
Christian fiction, any genre can be summed up in a sentence that points out
what the major theme or purpose of your novel seems to be—good wins over
evil, love is worth fighting for, a parent will give their life for their child,
lies tangle lives, gossip only begets gossip, beauty is in the eye of the
beholder, and laughter can heal. You can think of many more. These themes work
for a romance, a thriller, a western, or any genre.

I know this works because of
reader mail. Letter after letter reveals how my novel has made a difference in
someone’s life. They tell me what they learned about themselves or about
someone else. They tell me how they found an answer to a question or how they
realize they need to ask questions about their life. They walk away with
something that has made a difference.

When you sit down to write a novel, ask yourself what you want
the reader to take away when she finishes. If you can’t answer the question, this
is the reason your story is not making an impact on an agent or editor. It
might be why a reader enjoys it for the moment and can’t remember the title or
what it was about two days later. Write so that you make an impact on your
readers with a purpose. Create a theme or a message that you want to leave
readers with at the end of your novel, and you will have written a memorable
story that makes a difference. 


Rick on Maui (2)



I love a good suspense novel–the kind that grabs you with the first line, slowly tightens its grip for 400 pages, and doesn't let go until the very end. I've also written suspense since I was in high school, and now I even get paid for it.So when CAN invited me to join this blog, it was only natural to do a series of posts on suspense writing. The series is titled The Author as Terrorist because … well, keep reading and I'll explain.



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