Georgia Shaffer from Pennsylvania
Several of my coaching clients are writers and speakers who surprisingly make similar mistakes in their writing. Here are six suggestions I find myself repeating, which you may find helpful.
1. Write and let it sit for awhile.
Your writing should be allowed to age, like great relationships. While you may not always have the luxury of time, plan ahead when possible. Work on other projects and come back to what you’ve written a couple of weeks later. You’ll be stunned at what you find that you did not notice earlier.
2. Hire a professional editor.
Even after coming back to your writing after a few weeks, you’ll miss some things that an editor will quickly notice. Whether they make your project more concise or catch a fatal flaw, editing is worth the financial investment. A professional writer needs the help of a professional editor. Read More →
Georgia Shaffer here from Pennsylvania where the fall foliage is beautiful.
I never yearned to be a writer. I never wanted to write a book. But life’s experiences have a way of changing you, your dreams, and your desires.
After experiencing the loss of my health, job and marriage, I had an irresistible urge to write a book sharing practical information about how to restore our lives after unwanted change. There was one major problem. I couldn’t write. At least in a way that anyone would choose to read.
I have four college degrees, full of A’s. But I have two lonely C’s on my college transcripts—in English and writing. And I worked hours upon hours just to get those C’s. During my freshman year in college, I spent my Christmas vacation, writing one paper to improve my English grade.
After my instructor read what I had written, she called me into her office and threatened to fail me.
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Hello, again! Maureen Pratt here with my monthly CAN blog about the art and craft of writing. This month’s topic is, “Help! Where’s my story?!” or, “What to do when your story goes one way while you go another.”
Whether we write fiction or non-fiction, plotting or outlining is often an essential part of the publication process. From the first query to the last book cover blurb, most of us try to envision the beginning, middle and end of a work before we dive in.
But, as we authors know, as hard as we might work on those early ideations, “things happen” once we get started. New facts come to light. A secondary character takes center stage. A plot thread we knew was right suddenly becomes oh-so-wrong.
How do we handle these and other creations of the creative process? First of all…
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